The Birds of Bullshit Mountain

The Pale-Throated Rictus Jay

Species: Ingrahamia spitefulensis
Common Names: The White-Crested Malicebird, Freedom Harpy, Night Shrike of Suburbia

Field Description:

A lean, frost-pelted bird of prey, I. spitefulensis is distinguished by its shrill mating calls and instinctive revulsion toward compassion. Though once believed to be nocturnal, the Rictus Jay is now known to operate across time zones via syndicated venom. It is largely solitary, nesting alone in studios constructed of grievance, glass, and indoor tanning mist.

Anatomical Notes:

  • Crest: Bleached and defiant, flares upward during segments on immigration, LGBTQ+ visibility, or any mention of The Squad.
  • Eyes: Piercing, alert, and permanently narrowed in judgment.
  • Beak: Viciously curved, used to tear social programs into thin strips.
  • Plumage: White with streaks of contempt; feathers emit faint scent of hairspray and litigation.

Behavioral Displays:

  • The Smirk-Shriek Combo: Begins with tight-lipped disapproval, escalates into apocalyptic yowling.
  • Tailfeather Twitch: A rare tell, visible only when slightly outflanked on air by other predators (notably, the Coulterngeist).
  • False-Nesting: Frequently appears in patriotic nests while actively discarding foundational principles.

Calls:

  • “They hate America.”
  • “This is what the Left wants.”
  • “Back in my day…”
(Delivered with the unblinking urgency of a high-end robo-parrot programmed by Phyllis Schlafly.)


Predators & Defenses:

  • Natural Predators:
    • Basic Empathy
    • Historical Context
    • The Ghost of Her Own College Radio Tapes
  • Defensive Display:
    • Emits legal threats and sanctimony.
    • Spreads wings into the Red White & Bruise Formation™, which deflects criticism through sheer saturation of patriotism.

Mating Ritual:

Little observed. Likely occurs off-air in mutual loathing with other carrion-feeding pundits. Courtship song may consist of references to “elites,” “real Americans,” and ancient personal feuds with Joy Behar.


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